CTAD 3245

This document includes: the Dramatic Imagination discussion, methodology, ritual, theater in Egypt, and the Greeks.

This document includes: discussion on Agamemnon, Tantalus, Troy, politics in Athens, rise of theatrical expression in Athens, Advent of Old Comedy, Aristotle's Poetics, the decline of Greece and rise of Rome, and Greek Characters.

This document includes: the amphitheater, how plays were selected during the Greek times, Agamemnon discussion, the Rise of Rome, Roman Theater, and why Christianity shot up during 300ACE.

This document includes: the culture during the Middle Ages, discussion of Everyman, liturgical drama, the mansion and crypt, the guilds, Feast of Fools, morality dramas, pageant wagons, pageant master, English golden era, the 7th seal discussion, chambers of rhetoric, women playwrights, and the end of medieval drama.

This document includes: the Theatrical Impulse, Greek Culture and Background, Greek Drama, Timeline of the Romans, Theater and the Romans, Medieval Theater, Sanskrit Drama, Noh and Kabuki, Bunraku, Theater in China, Antonin Artaud, Jerzy Grotowski, Theater as a Spectacle, Medieval Pageantry, Elizabethan Times, Shakespeare and Hamlet, Restoration Era, Moliere's World, French Theater, Misanthrope and Shaw's Heartbreak House.

This document includes questions to prepare you for the History of Theater I final exam. It includes questions about theater as a ritual and ritualized theater, ritual for Artaud and Grotowski, the impulse to last in a culture, theater and religion, strife and war, Greek satyr plays, and theater as a spectacle.

This document is about the plays that we were required to read in the class. These are all of the notes about them which also includes notes that were taken in class about these plays. This document includes: Agamemnon, Everyman, Theater and Its Double, Towards a Poor Theater, Edward II, Hamlet, The Misanthrope, The Rover, and Heartbreak House.

This document includes: Sanskrit drama, Sanskrit performance, theatrical spaces for sanskrit, Nataka, Prakarana, Japanese drama, Noh, Kabuki, Bunraku, Beijing Opera, Zaju, Guan Hanqing, commonalities between all of these theatrical expressions, the 20th century and Antonin Artaud.